Sarah Heim
@picklesnmypants

@picklesnmypants

Reblogged from pawsupgagalove (Originally from hiblogcore)

love this

love this

(Source: xdontcallmyname)

Reblogged from professional-napper (Originally from xdontcallmyname)

(Source: theelectric-chapel)

Reblogged from theelectric-chapel

“I’m not gonna waste your time watching some bitch lip her way through an HBO special.”

okami-:

nutellacoveredcorpses:

danimaree:

britneyismylife:

This is what Lady Gaga said tonight on her HBO special, A BLATANT BITCH COMMENT AT BRITNEY’S 2001 HBO SPECIAL. 

Well guess what Gaga? YOUR STUPID FUCKING COMMENTS WON’T GET YOU ANYWHERE, OKAY? Bye Bitch.

LMAO omg honey

britneyismylife

omg

EXCEPT SHE SAYS THAT AT EVERY MONSTER BALL. LIKE THE ONE I SAW IN PHILLY. AND THAT AUDIO CAN BE HEARD BEFORE THE HBO SPECIAL.

Reblogged from unicornontheroadtolovearchive (Originally from britneyismylife)

Born This Way Song Lengths:

ladyxgaga:

1 /Marry The Night 04:24 

2 /Born This Way 04:20

3 /Government Hooker 04:14

4 /Judas 04:09

5 /Americano 04:06

6 /Hair 05:08

7 /Scheiße 03:45

8 /Bloody Mary 04:04

9 /Bad Kids 03:50

10 /Unicorn Highway (Road To Love) 04:15

11 /Heavy Metal Lover 04:12

12 /Chapel Electric 04:12

13 /Yoü And I 05:07

14 /The Edge Of Glory 05:20

A few have not been confirmed so were not included in this post.

Reblogged from ladyxgaga

SOOOO TRUEEEEE.

SOOOO TRUEEEEE.

Reblogged from lavenderbrunette (Originally from afternoonsnoozebutton)

Reblogged from n3verover (Originally from threecheersforfiveyears)

Reblogged from n3verover (Originally from -decembereveryday)


GOVERNMENT HOOKER. Gregorian pop chants, pervy robot voices (courtesy of Gaga’s bodyguard Peter), window rattling beats and the extraordinary line: “Put your hands on me, John F. Kennedy”. 
Gaga: “The humour is that a machine tells me what to do and I happily do it as long as I get fucked. It relates to how our government fucks us over, but it makes fun of the plastic popstar - ‘I’ll do anything as long as you fuck me and pay me’.”
ROAD TO LOVE. With a soaring melody, nods to a Springsteen and an industrial techno production represent the blueprint for ‘Born This Way’. A unicorn is mentioned. 
Gaga: “The sax in this — and in ‘Hair’ and in ‘Edge of Glory’ — is not just there for no reason. I grew up listening to so much Bruce Springsteen and Billy Joel, so in a way it represents my innocence.”
BLOODY MARY. A dark, pulsing and atmospheric, almost funereal electroballad, one of several tracks, including ‘Judas’, with religious references. 
Gaga: “I believe that Mary Magdalene was both fully divine and fully human. She has to be strong when Jesus fulfills the prophecy to die for everyone’s sins, but she still has the moment of humanity where she’s upset to let him go. She had to be a superstar, but she must have cried too.”
MARRY THE NIGHT. Peak-era, Whitney Houston-esque pop euphoria up top, with churning techno grinding underneath. 
Gaga: “This is about me going back to New York. I wrote this about the courage it took for me to say, ‘I hate Hollywood, I just wanna live Brooklyn and make music’.”
AMERICANO. Told as a love story between Gaga and a girl from LA, this is an acid house-fuelled Mexican themed footstomper. 
Gaga: “This was my first proper collaboration with Fernando [Garibay] and White Shadow. Labels had been telling Fernando to tone down his Mexican influences, but here we really brought them out. It was when Prop 8 was overturned in California. The immigration law was passed in Arizona, houses were being raided for immigrants, some of whom had been here for 20 years. America was once the land of the free, and now we’re telling everyone to get the fuck out.”

GOVERNMENT HOOKER.
Gregorian pop chants, pervy robot voices (courtesy of Gaga’s bodyguard Peter), window rattling beats and the extraordinary line: “Put your hands on me, John F. Kennedy”.

Gaga: “The humour is that a machine tells me what to do and I happily do it as long as I get fucked. It relates to how our government fucks us over, but it makes fun of the plastic popstar - ‘I’ll do anything as long as you fuck me and pay me’.”


ROAD TO LOVE.
With a soaring melody, nods to a Springsteen and an industrial techno production represent the blueprint for ‘Born This Way’. A unicorn is mentioned.

Gaga: “The sax in this — and in ‘Hair’ and in ‘Edge of Glory’ — is not just there for no reason. I grew up listening to so much Bruce Springsteen and Billy Joel, so in a way it represents my innocence.”


BLOODY MARY.
A dark, pulsing and atmospheric, almost funereal electroballad, one of several tracks, including ‘Judas’, with religious references.

Gaga: “I believe that Mary Magdalene was both fully divine and fully human. She has to be strong when Jesus fulfills the prophecy to die for everyone’s sins, but she still has the moment of humanity where she’s upset to let him go. She had to be a superstar, but she must have cried too.”


MARRY THE NIGHT.
Peak-era, Whitney Houston-esque pop euphoria up top, with churning techno grinding underneath.

Gaga: “This is about me going back to New York. I wrote this about the courage it took for me to say, ‘I hate Hollywood, I just wanna live Brooklyn and make music’.”


AMERICANO.
Told as a love story between Gaga and a girl from LA, this is an acid house-fuelled Mexican themed footstomper.

Gaga: “This was my first proper collaboration with Fernando [Garibay] and White Shadow. Labels had been telling Fernando to tone down his Mexican influences, but here we really brought them out. It was when Prop 8 was overturned in California. The immigration law was passed in Arizona, houses were being raided for immigrants, some of whom had been here for 20 years. America was once the land of the free, and now we’re telling everyone to get the fuck out.”

Reblogged from lavenderbrunette (Originally from xmother-monster)

Reblogged from bubbledreamsmonster (Originally from biebrauhl-deactivated20111112-d)